Mid-century German artists. Do they get more exhibitions in London than you can shake a stick at, or is that just me? Between Richter, Kiefer, Polke, Baselitz and another couple of heavyweights, they could certainly keep the turnstiles of a willing museum pretty busy. Having said that, this was the first major Polke retrospective I’ve […]
Mad but brilliant. Beats you over the head with a theme but does it in style. Uses technology to satirise our addiction to technology. References German literature, Jewish folklore, Expressionist cinema of the Cabinet of Dr. Caligari vein and The Daily Mail. 1927: my new favourite theatre company. I go to a lot of theatre, […]
Unlike the Late Turner exhibition which I reviewed recently, the National Gallery didn’t create this exhibition on late works by Rembrandt from a position of reeducation or reinterpretation. The works on display are firmly within the Dutch Golden Age and have always been respected as masterful works (and quite a high number of them as […]
The central relationship explored in this exhibition is that between architecture and photography: how photographers have responded to the built environment around them, its static yet ever-changing nature, its central place in our lives; and how architecture, often through architects, has made use of photography. In order to shed light on this symbiotic give and […]
If you were in charge of exhibition programming, and you had a passion for a subject which perhaps wasn’t quite right for your museum, what would you do? It’s an interesting question, which could be argued a couple of ways. Is it better to stick to your institution’s core values and strengths, or to push […]
Horst P. Horst. What a name. What a photographer. And according to most accounts in the exhibition, what a guy. The V&A’s retrospective of his work is well-crafted, diverse and interesting, and if it doesn’t shed much light on Horst as a person rather than as a photographer, it seems that this may have been […]
What to say about Allen Jones? Well, if you’re pretty much any critic who reviewed this exhibition, most of the discussion should be about his representation of women. You’ve likely all seen his sculptures of women as furniture, produced in the 1960s for the most part. Most famously there is ‘Chair’, in which a woman […]
Late works seem to be quite fashionable at the moment: late Turner, late Rembrandt, late Matisse, probably late other people as well. This isn’t necessarily a bad thing, as it is interesting to explore whether an artist’s output changes towards the end of their life and what the contributing factors are, but in the case […]
It would seem that Moroni has spent more time in fashion in the UK than elsewhere, making London perhaps the perfect setting for a small and well-curated exhibition that aims to increase the public’s regard for his work once more. Some early acquisitions by the National Gallery mean that perhaps his most famous work, known […]
There were a couple of things I found very interesting about this exhibition. The first was the idea of revisiting a seminal work in modern art a century after its creation: trying to look at it with the mindset of someone seeing it for the first time, and then considering it with the weight of […]
