The Tate co-organised exhibition Radical Landscapes moves to the William Morris Gallery, bringing with it new connections and meaning. Radical Landscapes Landscapes are not neutral. This is the central thesis of Radical Landscapes. Instead, the exhibition suggests, landscapes are a contested space in life as in art. Radical Landscapes is all about how we view, […]
A video installation inside St Pancras New Church, A Room of One’s Own reminds us to take stock of our lockdown experience for good and ill. A Room Of One’s Own This is today’s second Bloomsbury Festival post. A double bill, if you will, which gives a taster of just some of what’s on offer. […]
A two-for-one experience in historic Spitalfields: visitors get to see the early development of Christo’s later monumental art, and explore a unique Georgian house. Gagosian Open Christo: Early Works is the first in a new series of exhibitions by the Gagosian Gallery. Gagosian Open will see the network of galleries displaying artworks in unusual contexts. […]
Herzog & de Meuron put on an introspective show at the Royal Academy. The pair’s collaboration on the exhibition lends insights into their process, but does it impinge on a well-rounded presentation? Herzog & De Meuron Long-time Salterton Arts Review readers know that I’m at the Royal Academy fairly frequently to see their exhibitions. But […]
Julianknxx takes over the Barbican’s Curve space with a poetic film installation, Chorus in Rememory of Flight. A reminder of connection, tradition, and the long reach of history. Julianknxx at the Barbican Curve In today’s post we find ourselves back at one of London’s more intriguing spaces for art installations. The Barbican Curve makes use […]
A very thoughtfully curated exhibition, Lagos, Peckham, Repeat: Pilgrimage to the Lakes explores migration, identity, home and belonging in a select few works over two sites at the South London Gallery. Lagos, Peckham, Repeat: Pilgrimage to the Lakes The short nature of this review is mostly a reflection of the relatively small number of works […]
Lausanne’s Fondation de l’Hermitage is a pleasant museum in tranquil surroundings. Their exhibition Vuillard and the Art of Japan takes a comprehensive look at the impact 19th Century japonisme had on the artist’s work. La Fondation De L’Hermitage On my recent visit to Lausanne, I wasn’t quite sure which institutions I was going to visit. […]
A small and intriguing exhibition pulled mostly from the Courtauld’s own collection, Art and Artifice dives into the world of artistic fakes and forgeries. The Courtauld Owns Fakes? Put simply, yes. Most major institutions probably do, whether they know it or not. Not just the ones with Old Masters, either: most fakes produced today are […]
A broad undertaking, A World in Common: Contemporary African Photography brings together artists from across the African continent to explore points of commonality and difference. A World In Common: Contemporary African Photography Now here is a Tate exhibition I can get on board with. Although I really liked Isaac Julien: What Freedom is to Me […]
The Barbican’s timely survey of Carrie Mae Weems’ work is a perfect introduction for UK audiences to Weems’ immense talent and reflections on the Black experience. Carrie Mae Weems This is the third monographic exhibition of a female artist’s work in a row for the Barbican. Late last year we had Carolee Schneemann: Body Politics, […]
