A review of Body Vessel Clay at Two Temple Place, a mansion built for William Waldorf Astor near the Thames in Central London. With works by three generations of Black female artists working in clay, this is a revelatory exhibition. Body Vessel Clay The last time I was at Two Temple Place was just as […]
A review of Inspired!, a new exhibition at the Guildhall Art Gallery, London. A deep dive into their storied collection. No, literally storied. Read on to find out more. Inspired! Guildhall Art Gallery, it’s been a while! I was last here what feels like a long time ago, between 2020 lockdowns, to see The Enchanted […]
A review of SAD, on at Omnibus Theatre in Clapham. Victoria Willing’s play about isolation, connection and grief has promise which is not quite fulfilled. SAD This is my second outing to Omnibus Theatre in Clapham, the first being for Small Change in 2021. Remind me to come back to a key point about Omnibus […]
A review of Van Gogh. Self Portraits, the exhibition which reopens London’s Courtauld Gallery after a well-timed refurbishment. With a brief note on how that refurbishment is looking as well! Van Gogh. Self Portraits On the surface, this is a very simple exhibition which does what it says on the tin. Self portraits. By Vincent […]
A review of Canaletto’s Venice Revisited, opening 1 April at the National Maritime Museum. This impressive exhibition is a wonderful chance to see Canaletto’s largest commission up close. But with strong messages about climate change and mass tourism, you may wonder if you should visit La Serenissima for yourself. Canaletto’s Venice Revisited This review follows […]
A review of Jock McFadyen: Tourist Without A Guidebook at the Royal Academy in London. A mostly unpeopled London illuminates, like lockdown, the beauty and banality of our urban spaces. Jock McFadyen, RA Jock McFadyen was born in Scotland in 1950, moving to England aged 15 in 1966. He has a plethora of shows behind […]
A review of Hamlet, on now at the Sam Wanamaker Playhouse at the Globe Theatre. Without a big name/crowd pleaser in the lead role, this production is able to mine much darker scenes in the text. Hamlet The day I was due to go and see Hamlet at the Globe (more specifically at the indoor […]
A review of virtual reality experience Virtual Veronese at the National Gallery. A high-tech way to recontextualise what is otherwise one of many fine paintings in the Gallery’s collection. Art Experienced Virtually In the last couple of years I have noticed an upswing in the number of virtual reality experiences on offer. Perhaps it’s just […]
A review of The Collaboration at the Young Vic. A play which conjures up a key moment in the 1980s New York art scene and ponders questions about art and its commodification. The Collaboration Jean-Michel Basquiat is one of my favourite artists. I love the urgency of his works, the way the art leaked out […]
A review of TRUTH THAT, work by Paul Wallach at the London branch of BASTIAN Gallery. The exhibition’s small scale gives space to wonder: where does painting end and sculpture begin? Paul Wallach: TRUTH THAT This week I had the opportunity to visit the latest exhibition at Bastian Gallery, TRUTH THAT. Small in scale, the […]
