A small exhibition of works by Kehinde Wiley at the National Gallery encourages contemplation of the meaning behind his recentering of Black men and women in Western art history. Food for thought. Kehinde Wiley At The National Gallery I wrote recently about how exhibitions at the National Gallery are often very academic, and best treated […]
A review of Poussin and the Dance at the National Gallery. This academic exhibition about an academic French painter is pleasant and informative. Best treated as a little break from the outside world. Poussin And The Dance I am a big-time art and museum nerd, so I rather enjoyed the sound of this exhibition. I […]
A review of a free exhibition on now at the National Gallery. Bellotto: The Königstein Views Reunited is a good opportunity to see how this celebrated Venetian artist approached an unusual German commission. Bellotto’s Königstein Views I am really getting into these one-room exhibitions at the National Gallery in London. Last year I saw Sin, […]
Reviews of two small, free, and interesting exhibitions at the National Gallery – Jan Gossaert’s Adoration vs. Jan Matejko’s Copernicus. Both take a very different approach to getting to know a single painting in-depth. Hyper-Focused Exhibitions – Secret Weapons Against Museum Fatigue I have been to the National Gallery a handful of times between lockdowns. […]
Review of the exhibition Sin at the National Gallery. So much more relaxing to visit the permanent gallery spaces than the paid exhibitions! A Successful Trip to the National Gallery! Finally, I’ve managed a post-lockdown/semi-lockdown outing to the National Gallery without finding it overwhelming. The difference is that this time, unlike when I saw Titian […]
Review of Artemisia at the National Gallery. Oh my goodness, blockbuster show of the season it might be, but not a good visitor experience! The National Gallery’s Blockbuster of 2020 The National Gallery billed Artemisia as the long overdue blockbuster of the year long before Covid. I was therefore very excited that they were able […]
Let me save you the trouble of reading reviews when deciding whether to go and see this small exhibition at the National Gallery. Critics don’t like it. This review in the Guardian is particularly entertaining, and likens Pre-Raphaelite art in the UK’s regional gallery collections to a fatberg (I love a vicious review, don’t you?). […]
Ah, January. A time for great new projects, an aim of self-improvement, a flurry of activity, and then… who knows? Having challenged myself to take advantage of the many opportunities London provides of hearing talks, lectures and panel discussions on a range of interesting topics, I found myself this week attending two at the National […]
Unlike the Late Turner exhibition which I reviewed recently, the National Gallery didn’t create this exhibition on late works by Rembrandt from a position of reeducation or reinterpretation. The works on display are firmly within the Dutch Golden Age and have always been respected as masterful works (and quite a high number of them as […]
I was definitely in my art-geeky element in this exhibition, based on research by the National Gallery’s scientific department, and largely using works from the permanent collection. As the name suggests, it’s about making colour – the exhibition space is divided like a colour wheel, with rooms moving from blue to purple through green, yellow […]
