The thing about having a particular dancer who I like to go and see (Edward Watson, since you asked) rather than being very educated about choreographers, composers or directors of ballet, means that I go to a fairly mixed bag of performances. Had Watson not been dancing in Woolf Works, I’m not sure that the […]
Nobody’s Baby Staged in the Paul Hamlyn Hall at the Royal Opera House, which is normally a pre-show bar and restaurant, Nobody’s Baby instead transformed the space into a 1930s American dance hall. And we, as the audience, became spectators at a dance marathon. Depression-era dance marathons, eventually outlawed, preyed on the destitute and […]